Sunday, December 28, 2014
Ethan's felted piece!
I could not publish this picture before Christmas because Ethan made this as a gift for his parents, but I can share this now. Ethan finished his first machine felted landscape last month. He was six years old. He had asked repeatedly, always very politely, to be taught how to use "that machine" (always accompanied by a nod in the direction of the Embellisher), and finally, in October I listened to him explain his plan for how he would learn. He had worked out a formula for learning! The lovely part of working with Ethan is that he never forgets anything. I think of his animal symbol as the elephant. He is shown something once, and that becomes The Way.
We began to talk about felt tops and how the fibers interlock, how a felting needle is different from a sewing needle, then decided on a six inch square for our layout. I cut out a piece of dyed scrim for him and as he began reaching for his favorite colors I was reminded of James Taylor singing, "Deep greens and blues are the colors I choose." After making his choices of color and placement, I sat beside him, heart in throat, as he began to apply pressure to the foot pedal and use those small fingers to move through the felting process. He had watched me do this for several years, and I suppose, with that incredible memory of his, he had been storing up information for this moment. In all the time we spent on this, he did not break a needle-- which is a much better track record than my own!
Next, to add little chopped bits of wool thread for grass, some shaping of the tree and ponds, and after that the stitches. Not any blue would do on the pond-- it had to be shiny silk, "to reflect the light," he explained very patiently. He chose sari silk metallic thread and bright green crewel wool for the tree foliage, with little bits of the green blowing across the soft wool base.
We worked on this in stages for several weeks. On the days he stayed with us after school, he would have his snack, do his homework and then we would come to the studio until Julie came to pick them up. He was very concerned that she not see it, and she so kindly complied with his wishes.
The most heart-melting moment was not to see the little piece finished, however, but to hear him say, "I can't believe I'm really making this piece, Grandma!" The sad part came when I suggested he take it to share with his class when he was finished, but he quickly said no. His mother told me, later, that he was afraid of the other boys making fun of him. How can it be that a first grader can be bullied by his "friends" for his talent and perseverance?
This piece reveals a creative, imaginative side to Ethan that is very unlike the methodical, mathematics-oriented thinking he usually exhibits. He helps Bethy with her third-grade multiplication tables and adds and subtracts faster than she, and he enjoys working out people's ages from the year they were born. So glad he and I had these hours together to make this discovery. Our next felting may be to incorporate wet felting into the process . . . Updates as this happens.
Sunday, December 7, 2014
Etsy Store
How this came about: On the Friday after Thanksgiving as I was walking down the hall to the bedrooms, my foot made a terrible and very loud popping noise. The doctor said it was "probably" a stress fracture, but we wouldn't know until the 22nd when he re-X-rays the mess that is my foot. In the meantime, my new best friend is The Big Black Boot, knee-high and serious business.
BFF and I have been sitting still a lot since then, and it finally occurred to me that I've been meaning to open an Etsy Store for years, and now might just be the time. Today, when I put some thread in the store, I believe I became an Etsy shop keeper and am up and running.
The thread, which is cotton cone thread that weavers use for making soft wearables and household items, became my go-to thread for texture a number of years ago. It is soft with a small amount of texture to it, and a perfect size for beefing up lines or mixing with other threads in textural work. I looked at my yarn cabinet one day and realized I could never never in this lifetime use it all up, so I am winding it into 30 yard skeins and seeing if other stitchers like it as much as I.
There are also boxes of stitched work that will gradually move onto the shop walls, but that takes time and a certain amount of mobility to gather all the parts in one place to mount the pieces. Later.
In the meantime, check out Studio508 on Etsy, if you are shopping there. The Studio508 shop will probably change a good bit as I move things around in the studio here in Woodstock. For right now, though, studio changes will have to wait on healing. I have a good bit of hand-painted fabric that might be nice in the studio, though . . . Hurry up, foot! We've got work to do!
*****UPDATE***** It is, indeed, a fractured heel, and I have been given stern instructions about staying off the foot. This is the time to practice deep breathing, mindfulness, and to work in my sketchbook(s), a time of ingathering for later work.
Best wishes for the Holidays, be well, and to all my fiber friends, happy stitching!
BFF and I have been sitting still a lot since then, and it finally occurred to me that I've been meaning to open an Etsy Store for years, and now might just be the time. Today, when I put some thread in the store, I believe I became an Etsy shop keeper and am up and running.
The thread, which is cotton cone thread that weavers use for making soft wearables and household items, became my go-to thread for texture a number of years ago. It is soft with a small amount of texture to it, and a perfect size for beefing up lines or mixing with other threads in textural work. I looked at my yarn cabinet one day and realized I could never never in this lifetime use it all up, so I am winding it into 30 yard skeins and seeing if other stitchers like it as much as I.
There are also boxes of stitched work that will gradually move onto the shop walls, but that takes time and a certain amount of mobility to gather all the parts in one place to mount the pieces. Later.
In the meantime, check out Studio508 on Etsy, if you are shopping there. The Studio508 shop will probably change a good bit as I move things around in the studio here in Woodstock. For right now, though, studio changes will have to wait on healing. I have a good bit of hand-painted fabric that might be nice in the studio, though . . . Hurry up, foot! We've got work to do!
*****UPDATE***** It is, indeed, a fractured heel, and I have been given stern instructions about staying off the foot. This is the time to practice deep breathing, mindfulness, and to work in my sketchbook(s), a time of ingathering for later work.
Best wishes for the Holidays, be well, and to all my fiber friends, happy stitching!
Monday, September 29, 2014
Reclaimed Silk Sari Ribbon
Reclaimed materials are always interesting to work with. Silk Sari Ribbon is on the top of my list of these re-usables. The strips are sometimes too wide to stitch with "as is," but most silks tear/rip very easily, and I can make several narrow strips of silk for stitching from a single length of the ribbon that comes in skeins for knit and crochet.
This example above is from a sample for a study of mosses that is part of a larger project (more to come on this over the next year, I hope). Here you can see the grey and yellow silk ribbons couched in place, then surrounded by loopy, textured stitches in a variety of fibers. Is it apparent that I am not too fussed by the restrictions of realistic color?
This next piece has been stitched on a ground of hand-made felt to make an impression of wind sweeping through the branches of a potted plant. The heavier leaves are stitched with torn strips of ribbon, with mixed wool and silk threads used break up the blue with some scattered, less-solid leaf images.
Silk, wool, and a little cotton scrim for good measure . . . It takes so little to pacify some folks!
This example above is from a sample for a study of mosses that is part of a larger project (more to come on this over the next year, I hope). Here you can see the grey and yellow silk ribbons couched in place, then surrounded by loopy, textured stitches in a variety of fibers. Is it apparent that I am not too fussed by the restrictions of realistic color?
This next piece has been stitched on a ground of hand-made felt to make an impression of wind sweeping through the branches of a potted plant. The heavier leaves are stitched with torn strips of ribbon, with mixed wool and silk threads used break up the blue with some scattered, less-solid leaf images.
Silk, wool, and a little cotton scrim for good measure . . . It takes so little to pacify some folks!
Saturday, September 6, 2014
Moss On Tree
This 6" square is my interpretation of moss growing on a tree, at v-e-r-y close range. Stitched mostly in Walsh silk/wool yarn on a piece of hand-felted wool from dyed roving and scrim, it is layers of wool, silk, linen, and cotton, with tiny beads tucked in between the seeding stitches.
Tuesday, September 2, 2014
Water's Edge
This watercolor on canvas is combined with machine and hand stitch, appliqué, beads, stones, and a variety of very textured yarn. It is a look at the little bit of marsh and sea we enjoy in a family trip to the coast of Georgia every spring.
The views of the canvas from the side are interesting, too. The trip starts at the edge of the wall and turns the corner to the front of the canvas . . .
then continues on the right side-- as if the water's edge was too lovely to leave:
Friday, July 25, 2014
Blue Bulb
"Blue Bulb" is a layered work with a great deal of texture in the hand-painted scrim, the scattered seed stitches, and the little roots that dangle just off the bottom of the canvas.
Monday, May 19, 2014
Update on Three Red Trees
At the prodding of my friend, Peggy, I submitted this piece to the EGA for consideration in their upcoming "Spectacular Color" Exhibit. And, guess what-- they accepted it!
I'm still wowed by that. There were entrants from EGA affiliates in four different countries, so there must have been a lot of vibrant pieces sent to New Mexico for adjudication. Twenty-five were chosen for the show opening August 1 of this year and running until the end of January of next year.
Wow!
I'm still wowed by that. There were entrants from EGA affiliates in four different countries, so there must have been a lot of vibrant pieces sent to New Mexico for adjudication. Twenty-five were chosen for the show opening August 1 of this year and running until the end of January of next year.
Wow!
Saturday, May 3, 2014
May 2014
Container Gardening this year: Vegetables.
Why? Just to see what it's like to grow and eat my dinner.
Will I miss the flowers I usually grow here? Yes.
Regrets? Not yet.
Why? Just to see what it's like to grow and eat my dinner.
Will I miss the flowers I usually grow here? Yes.
Regrets? Not yet.
Friday, April 4, 2014
Mystery of the cloth, No. 1
Tuesday, April 1, 2014
Winter Tree
We recently had a very rough winter here. There are some who live further north who would shake their head and say, “If you think YOU had a rough winter . . .” But, it’s all relative. I sat stitching this as the brown and grey of winter gradually gave way to washes of white from the the blast of snow and ice. The wind rattled up the hill as I reached for another lap rug and the ball of silk to re-thread and stitch on.
The fabric ground is a simple sandwich of scrim and wool, over which I have used only the humble straight stitch. Threads were cottons, mostly flosses, but for the tree I used a three-strand, slightly nubby silk from my friend, Jill, and together the silk and I followed the tree’s plight through the wind and weather. It made a gentle fabric with a draping hand.
The finished size is about 7 1/2 x 11 inches.
Sunday, March 30, 2014
Conversation by brook
My favorite ground for stitching is made of layers of soft fabric. To this end I save scraps of every fabric that comes into the studio, no matter the color or fiber content. Pale pieces can be painted or tinted, frayed or re-woven, and silk or organza act as slight masking agents to push too-forward colors back a notch. I don’t remember ever meeting a natural-fiber fabric I couldn’t warm up to.
So when I began building the layers of fabric that eventually became this piece, I was looking for texture and shape more than color. I used fabric paints and dyes to get the colors I needed. After hand basting the small pieces and machine stitching the edges, the surface stitching was done in silks of floss and perle.
The conversation is an interrupted one, just as the work was not accomplished in a straight line. Here, Art Imitates Life.
Friday, March 28, 2014
Three red trees
At the outset I must confess: I do not like orange.
This landscape is built on a piece of nuno felt that has been stitched, unstitched, had portions of needle felted velvet unceremoniously ripped away, cut into two pieces and re-felted . . . All in an effort to make friends with the color orange. The green was a diversion, a way of using, by way of yellow, the complimentary blue of orange and the green of red to soften and tame the orange, with stitches in soft, chubby matte cottons and variegated silk flosses. The two green trees stand by in wonder, gossiping about the entire process. They refuse to acknowledge their own painted silk cocoon origins.
To be further confessional: Orange and I may no longer be enemies, but we are not exactly sitting down to tea and biscuits together. Yet.
The final size is approximately 7” x 8”, and the framing is a bit of a puzzle. I will keep this pinned to a board in the studio until lightning strikes with a grand idea. Or, maybe I’ll ask Jordan to choose the framing for me!
Blue Meadow
The cottage commands a sweeping view of hand-tinted vintage lace, bead and button flowers, and a curious blue and yellow-green river flowing beneath all. A blue orchard bearing vintage silver Japanese seed beads shares the horizon with the red-roof cottage I have always imagined to be the home of my Irish great-grandfather. This little story and its bright colors are set in a 6 1/2” rusticated wooden tray. I don’t know how I could manage the stresses of life without my drawers of vintage laces and trims, so using them in this little piece was therapeutic.
March 28, 2014
I can either follow my creative interests in a happy, messy sort of
way, or I can bring everything to a halt and write about it. I don’t seem to do
both simultaneously either well or even happily. My son FB’d today that I should keep my
blog up to date.
O.K., Jordan, this re-start is for you!
Love, Mom
P.S. Happy Birthday!
O.K., Jordan, this re-start is for you!
Love, Mom
P.S. Happy Birthday!
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