Showing posts with label Yarn. Show all posts
Showing posts with label Yarn. Show all posts
Thursday, April 9, 2015
Hand-Dyed Thread
After an amazing Fiber Forum (EGA) retreat with Carol Soderlund at the Atlantic Center for Art (New Smyrna Beach, Florida), my love of dyeing has been revived. Hand-painting threads and fabric is now set for "game on" status. As I have an embarrassment of riches in cotton weaving thread (a beautiful textural addition to many of my own pieces), I added these to my Etsy Shop. I have loved and used them for years, but when I began dyeing them, I liked them even better-- the colored ones overdye to form color families, the natural whites dyed in deep, rich colors . . .
I have one more thing to take care of before I start dyeing in my normal obsessive manner, and that is to present a program to the Knoxville Chapter of EGA next week. Cynthia has been my indispensable guide and editor in setting up the Power Point Slide Show that is the heart of the presentation. The program discusses the eighteen months the FreeStylers spent studying Jan Beaney and Jean Littlejohn's "In Stitches" DVDs, with our samples as the centerpiece. We have been pressing against the boundaries of traditional embroidery in this year and a half, and the colorful and exciting results are quite worth sharing with other stitchers.
After the Tuesday evening presentation, the bottles of dye will come out. Carol's class, besides being immensely inspiring, touched on the way to organize and manage materials and supplies for dyeing, as well as introducing a much-streamlined process from the one I have used in the past. She has blogged about the class here. Check out her very colorful blog for pix of the class and notes about her own work and teaching schedule.
Monday, October 31, 2011
Destination: Western North Carolina
On a mission to find interesting yarn, Asheville seemed the most logical place to start. I have looked through the shops near home until I am embarrassed to show my face there so often. It is the thin, wispy angora-type yarns and bouclés on my radar this time, along with shades of blue, green, grey, and soft pastels for blending. Of course, Asheville is the center of civilization in my narrow, artsy world, and any excuse to visit is a road trip in the making. Add to that the SAFF, and the trip is a given!
It would be remiss of me not to mention how beautiful the leaves are this fall. But in doing this, I also have to confess that I left my camera at home, so you must take my word for the ragged beauty we encountered and color my world in carmine, indian yellow and flame. Over these three colors and their endless permutations add a sky of Payne's grey or indigo with the occasional shaft of light fighting its way through the grey crust. And, inexplicably, green grass!
We spent Wednesday evening at the Big Lynn Lodge in Little Switzerland. The weather was stormy the entire way, though not so bad we did not have so beautiful vistas of the mountainous countryside. I had a bag of Noro cotton-blend yarn tucked in a cloth tote to keep me busy, and when the temperature dropped more than 25 degrees and the evening rain and wind were mixed with sleet, I set about making the bag of yarn into a long, squishy scarf. The Thursday morning walk from our cabin to the Lodge for breakfast was much more comfortable with the hot-from-the-hook scarf.
We had visited the Penland School in the afternoon, a trip always filled with inspiration, visually satisfactory to a degree hard to explain. And I was so pleased to find Margaret Couch Cogswell's 2012 wall calendar there. It is tall and thin, the perfect size for the narrow space above the light switches in the studio. Check out her blog here.
A visit to a gallery such as The Penland School always sets the creative wheels in motion. This visit was no exception. I have enjoyed making books for years, in an off-and-on sort of way. There is no experience quite like that of making a hand-made book, of holding the covers carefully as you leaf through the marvelous feel of papers selected particularly for texture, color or the simple ability to hold paint or text well. I made a small book for Cynthia in August, and it got my book fairy out of hibernation and into flight again. I think I will have to divide my time between bookmaking, crochet, and planting bulbs in the next weeks. There is no point in not doing something when it brings a great deal of happiness, is there?
Thursday morning: At the Appalachian Handcraft Show in the Asheville Civic Center, I found some soft handspuns. I had Ethan in mind when I found this yarn, as he loves "rainbow colors." He describes himself as a "sunshine boy," so this might be the ticket for him:
And at Purl's on Wall Street, there was a basket (now greatly diminished) of Mango Moon yarn. Well, I had never thought of crochet with pink beads and stones, and the purple I'd used once before was so rich . . . and so I was rummaging happily in the funky yarn pile:
Aren't these tumbled stone beads just too yummy?
The folks at Purl's really "get" me. I don't need 200 yards of a lot of different yarns, but a touch of color or texture here and there are perfect for the landscape-inspired crochet I most love. For people like me, they have little mini skeins of wool, and I simply could not walk away from the possibilities there:
I think of them as brushstrokes of subtle color (except for the bright, cheery pink).
And an interesting book on geometric crochet,
Next, on to Friends and Fiberworks, where I found some of the blending fibers I was looking for. In fact, I found so much I could have been overwhelmed, as I was on my first visit to this Yarn Eden. But I am made of sterner stuff than that! I gave myself a mental shake and began filling my lovely wicker shopping basket in the several sweeps I made around the shop. Because I paid cash, I was given a 10% discount, which was no slouch amount.
While we were having lunch at Tupelo Honey, Charles looked up from the table to see Bill and Pat Martin in line, and what a happy reunion that was for the four of us! I had last seen them in Asheville six or eight weeks ago after Pat had been given some scary medical news, but the new MRI set everything to rest, and life is smooth again. There is nothing that can so quickly put a life on hold like a medical issue.
Friday morning: A trip to the Ag Center and the Southeastern Animal Fiber Fair. I have been looking forward to this for what seems like forever, and poor, long-suffering Charles was my package bearer for the event. I provided him with two large canvas totes so he could keep up with everything without the struggle that multiple plastic bags brings. Every man should have so kind a wife as this.
I cannot detail what we saw at the Fiber Fair. This must be akin to the experience of a child in a toy factory. The two oversized totes were bulging when we left. I was looking for things not available in shops, so I found yarn with curly locks dangling from the plies, another from Jazzturtle with a core of felted sweater wool. All tumbled in a big wooden bowl, they are feastable wool yarn:
Worth another look:
Rack upon rack of open skeins of the most luscious colors and blends of wools, pre-felt bats, bins spilling over with roving, curly locks of the most amazing colors, and some incredibly knitted creations— all this every where I turned my eyes! Unfortunately, I could not take it all in. My leg and back let me down, and we left after only 2 1/2 hours.
We shared lunch with Anne and Steve, and I spread the yarns over the table, a few at a time. Anne got the bug, and there was a message on my cell phone later that she had found some unusual yarns herself. Anne's specialty is her felted (I want to say "painted," they are so detailed) pictures. I cannot wait to see what she does with her curly locks.
On the way back to Atlanta, my brain was exploding with color and design possibilities. My love of pure funk was satisfied these couple of days in Asheville and environs—and I have the most wonderful collection of oddball yarns to work with over the next months!
Charles, long-suffering, has to put up with the brain outbursts. Surely he has earned a number of Stars For His Crown from this trip, alone.
It would be remiss of me not to mention how beautiful the leaves are this fall. But in doing this, I also have to confess that I left my camera at home, so you must take my word for the ragged beauty we encountered and color my world in carmine, indian yellow and flame. Over these three colors and their endless permutations add a sky of Payne's grey or indigo with the occasional shaft of light fighting its way through the grey crust. And, inexplicably, green grass!
We spent Wednesday evening at the Big Lynn Lodge in Little Switzerland. The weather was stormy the entire way, though not so bad we did not have so beautiful vistas of the mountainous countryside. I had a bag of Noro cotton-blend yarn tucked in a cloth tote to keep me busy, and when the temperature dropped more than 25 degrees and the evening rain and wind were mixed with sleet, I set about making the bag of yarn into a long, squishy scarf. The Thursday morning walk from our cabin to the Lodge for breakfast was much more comfortable with the hot-from-the-hook scarf.
We had visited the Penland School in the afternoon, a trip always filled with inspiration, visually satisfactory to a degree hard to explain. And I was so pleased to find Margaret Couch Cogswell's 2012 wall calendar there. It is tall and thin, the perfect size for the narrow space above the light switches in the studio. Check out her blog here.
A visit to a gallery such as The Penland School always sets the creative wheels in motion. This visit was no exception. I have enjoyed making books for years, in an off-and-on sort of way. There is no experience quite like that of making a hand-made book, of holding the covers carefully as you leaf through the marvelous feel of papers selected particularly for texture, color or the simple ability to hold paint or text well. I made a small book for Cynthia in August, and it got my book fairy out of hibernation and into flight again. I think I will have to divide my time between bookmaking, crochet, and planting bulbs in the next weeks. There is no point in not doing something when it brings a great deal of happiness, is there?
Thursday morning: At the Appalachian Handcraft Show in the Asheville Civic Center, I found some soft handspuns. I had Ethan in mind when I found this yarn, as he loves "rainbow colors." He describes himself as a "sunshine boy," so this might be the ticket for him:
And at Purl's on Wall Street, there was a basket (now greatly diminished) of Mango Moon yarn. Well, I had never thought of crochet with pink beads and stones, and the purple I'd used once before was so rich . . . and so I was rummaging happily in the funky yarn pile:
Aren't these tumbled stone beads just too yummy?
The folks at Purl's really "get" me. I don't need 200 yards of a lot of different yarns, but a touch of color or texture here and there are perfect for the landscape-inspired crochet I most love. For people like me, they have little mini skeins of wool, and I simply could not walk away from the possibilities there:
I think of them as brushstrokes of subtle color (except for the bright, cheery pink).
And an interesting book on geometric crochet,
Next, on to Friends and Fiberworks, where I found some of the blending fibers I was looking for. In fact, I found so much I could have been overwhelmed, as I was on my first visit to this Yarn Eden. But I am made of sterner stuff than that! I gave myself a mental shake and began filling my lovely wicker shopping basket in the several sweeps I made around the shop. Because I paid cash, I was given a 10% discount, which was no slouch amount.
While we were having lunch at Tupelo Honey, Charles looked up from the table to see Bill and Pat Martin in line, and what a happy reunion that was for the four of us! I had last seen them in Asheville six or eight weeks ago after Pat had been given some scary medical news, but the new MRI set everything to rest, and life is smooth again. There is nothing that can so quickly put a life on hold like a medical issue.
Friday morning: A trip to the Ag Center and the Southeastern Animal Fiber Fair. I have been looking forward to this for what seems like forever, and poor, long-suffering Charles was my package bearer for the event. I provided him with two large canvas totes so he could keep up with everything without the struggle that multiple plastic bags brings. Every man should have so kind a wife as this.
I cannot detail what we saw at the Fiber Fair. This must be akin to the experience of a child in a toy factory. The two oversized totes were bulging when we left. I was looking for things not available in shops, so I found yarn with curly locks dangling from the plies, another from Jazzturtle with a core of felted sweater wool. All tumbled in a big wooden bowl, they are feastable wool yarn:
Worth another look:
Rack upon rack of open skeins of the most luscious colors and blends of wools, pre-felt bats, bins spilling over with roving, curly locks of the most amazing colors, and some incredibly knitted creations— all this every where I turned my eyes! Unfortunately, I could not take it all in. My leg and back let me down, and we left after only 2 1/2 hours.
We shared lunch with Anne and Steve, and I spread the yarns over the table, a few at a time. Anne got the bug, and there was a message on my cell phone later that she had found some unusual yarns herself. Anne's specialty is her felted (I want to say "painted," they are so detailed) pictures. I cannot wait to see what she does with her curly locks.
On the way back to Atlanta, my brain was exploding with color and design possibilities. My love of pure funk was satisfied these couple of days in Asheville and environs—and I have the most wonderful collection of oddball yarns to work with over the next months!
Charles, long-suffering, has to put up with the brain outbursts. Surely he has earned a number of Stars For His Crown from this trip, alone.
Monday, August 29, 2011
Saga of the Dressed-Up Wool
I never know whether I should thank my father for the obsessive-compulsive gene he passed on to me, or if I should volunteer for gene replacement study, but sometimes obsessive determination is a wonderful characteristic to have.
I have been crocheting a lot lately (all right, compulsively). The problem I have is I want to use beautiful yarn that is not hair-pullingly difficult to work with. A little lumpy, but not horribly so. Beads would be nice. Add to that list of requirements that I should not have allergic reactions to the content. Here, I am afraid that wool drops off the radar. But wool is so forgiving, so embracing!
*Sigh* The truth is this: I am in the process of crocheting the wool out of the studio. It has to go. But I would like to give it a nice send-off. This is how the Saga Of The Dressed-Up Wool began. . .
On a trip to Asheville several weeks ago, I found a skein of yarn that was made of lengths (18 inches) of rather commonplace yarns knotted together. Unlike some others of this cobbled-together yarn I have seen that was put together with outrageous fibers of multiple (and very incompatible) weights, these commonplace lengths looked as if they could be crocheted easily. The knots would be decorative. The weight of the yarn was a worsted one, so there was the consistency I always look for. I also discovered that the yarn was made by a Mom and her two children, so I plunked over the $25.00 for the skein immediately (cottage industries need to be nurtured).
The skein stayed in my mind as we went on to other things in Asheville, and after a while I realized I was actively working on improving the yarn with all these mental gymnastics! At Purl's, on Wall Street, Elizabeth so kindly gave me all the "trimmings" from the store's ball-winding station. They are always so interesting, and there are lengths that can be used for embroidery or felting or . . . As we approached our car, it suddenly hit me that the yarn I wanted could be made by hand but it would not have to be spun, as I have no aspirations to be a spinner at this late stage of my life. The half-bag of trimmings, some beads--- I suddenly had latched onto a way to create an interesting yarn!
Between Saturday and Sunday, I worked for about twelve hours on this project. To describe the process, you must grant me a certain willing suspension of disbelief (Coleridge, I think). After knotting some of the interesting yarns from the bag of trimmings from Purl's onto some hand-spun yarn, I hand-sewed seed beads, buttons, small chips of stone and quartz, other beads and trims, to a staggering 15 yards of wool yarn. Wool? you are asking with a puzzled look. Yes, wool. Wool because it does have that "forgiving" quality I mentioned, and because it can hide the carrier thread for all these gizmos I was hanging onto the yarn. I was careful not to flap the yarn around and send up sprays of wool particles to sent my allergies on the alert again, but I did take Monday completely off to let things settle a bit both in the studio and in my imagination.
The result of this slave-labor effort is an absolutely drop-dead gorgeous yarn. Well, to me it is a drop-dead gorgeous yarn. It began as the yarn in the first photo up top. These are some of the results:
If this does not make your mouth water, maybe you are reading the wrong blog. I digress. Forgive me.
On Monday, while I was recuperating from the yarn decorating frenzy, I did some serious thinking about what I'd done in the studio over the weekend. This same technique would work well with the wool cord I'd made earlier, wouldn't it? And think of the objects I could add to the list for embellishment:
- sweater-wool felted shapes
- leather shapes
- embroidered shapes
- crocheted (with small, tight yarn) shapes
- vintage trims and lace snippets
- old game pieces
- sequins
- bracelet charms
- alphabet beads
- vintage jewelry pieces
I could make that felted cord meant originally for a simple neckpiece into a marvel of ostentation . . . Yes, another project, which will also be totally unexplainable to my friends, but immensely interesting to me. So, thank you, Daddy, for the obsessive-compulsive gene. I would be in the throes of a really dull retirement without it.
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