The Might Of The Laptop!

Unbelievable!  Here I am in the living room posting to my blog, just like a real 21st Century person.  I feel I have shed my medieval garb, and have gone from flowing robes and braided coif to mini skirt and punk hair, all in a single morning.

Charles so kindly purchased, and Jordan so kindly spent hours in setting up this marvelous link with the world.  I feel a little as if I have just been invited to drive a powerful new Porsche, and the engine is throbbing with impatience as I crawl down the driveway and creep onto the street, not quite sure of how to shift into low gear . . .

There are "Universal Symbol" keys aligned along the top row, and I have to smile at the misnomer.  Universal to whom?  Fortunately, if I push one key and it does strange things, I can push the key a second time and it un-stranges everything.  And the tracker pad replaces a mouse, but by swiping with one, two, or three fingers, you can scroll or enlarge or squeeze the image size.  Mercy!  Has Apple ever had such an awed and ancient user?

Now, to think of a way to get to the studio with the laptop, a cup of tea, a small basket of threads, my long grabber tool, and manage the walker, too.  The rain makes it tricky.

Wish me luck as I leap into this new world.  Charles and Jordan may have created a white-haired monster.  What if I insist on being given an i-phone for my birthday?  I keep seeing young people swiping their i-phones to get information from them, and I'm practicing my swiping as we speak.  Ah, such grace is possible here . . .

Books

It has not been a particularly active week.  A trip to the doctor was the Big Event.  You see, just before they left for England with their mum, the Adorables gave me a small gift: a virus!  I have been unable to speak for a week, now. This morning I woke up able to make a few small noises, which seems to be the harbinger of healing.  As the simple act of speaking left my throat raw and swollen, it has been unusually quiet here.  Charles has had enough of a rest, however.  When I'm 100%, I'll talk his ear off, and he'll revert to not using his hearing aid and reading uninterruptedly in the living room!  He has been something of a saint about cooking and fixing me innumerable cups of tea, however.  Thank you, dear.

I have been digging into Agatha Christie during this enforced sit-and-wait-out-the-virus business.  Miss Marple and Inspector Poirot never fail to keep the pages turning.  If I see another crossword puzzle, though, I may start to speak gibberish and have to be carted off to a quiet place with padded walls.  There have also been some newer books in my stack.  I'll make a list of these,  some you might like to read yourself.  Note:  I avoid offensive language, gratuitous sex, and forensically graphic reading, so the list may be a bit bland for many tastes.

The Guernsey Literary and Potato Peel Society.  Mary Ann Shaffer.  It is very moving, a look at WWII on the island of Guernsey, off the English coast.  It is one of the few newer books that actually moved me to tears.

 The Writing Circle.  Corinne Demas.  This is a type of writing that is a bit like Anita Shreeve's style, less action and more psychological drama.  Compelling, thought-provoking.

The Postmistress.  Sarah Blake.  Another WWII book that moves between a small town on the Massachusetts coast and the War in Europe as seen through the eyes of a young war correspondent (a woman) based in London.  A letter is entrusted to her . . . can't tell you the details!  This was also very good, absorbing reading.

The Thirteenth Tale.  Diane Setterfield.  I read this last year, or the year before, but it was good enough for a re-read.  Mystery, scandal, creaky old English mansion . . .

I read several of Rosamunde Pilcher's novels, particularly The Shell Seekers.  I cannot stop re-reading this book.  There are others, of course, such as September, Winter's Solstice, and Coming Home.  All have characters who settle in your heart as you progress through their stories.  None like Penelope Keeling, though, of The Shell Seekers.

I am thinking about going through the Ellis Peters series, Brother Cadfael, which I re-visit every decade of so.  All twenty of them, read like a continuous long story, are as lovely both as history as well as who-done-its.  Life in Shrewsbury Abbey can be awfully eyebrow raising!

So, there.  Books for thinking about.  And a caution:  Avoid all school-age children if you can possible manage such a thing!

Making It Work

I bought Tim Gunn's new book, the 18 golden rules book.  This inspired me to go into the studio and pick up a piece that I had enjoyed creating, but somehow got bogged down in the process and never could seem to finish.  I read his section on "Make It Work" very closely, and I was ready to go.  For a few moments, it seemed possible that I might just rescue this old idea.  But, two hours later, and amid a pile of clipped threads and a slit in the fabric from too energetically removing an appliqued piece, I have to concede that there are some things that, when the towel has been tossed in, might better be left in the "Evermore Unfinished" box.

Jan and Jean stress this same concept in their classes at Callaway.  Although the piece might not finish as the image you began with, don't throw all  those work hours away, but think of some way to keep going with it.  Improvise.  Take the risk.  And I've done that several times quite successfully.  There are some things, however, that, when they're down, picking them up months and months later with the idea of continuing the work might not be the best use of our time.  Rather than struggle on with this idea, I think I'll simply wad it up and wrap a ball around it.

Now, THAT'S Making It Work!!!

Test Driving the Walker

Charles, who must be out and about every day (it's a genetic trait; I should write about the adventures of his father and grandfather some time), proffered a trip to a bookstore and lunch at Sweet Tomato(e).  So, here I am, ready for the big outing.  I still haven't figured out how to attach a tote to the walker and make it look attractive.  That will be next week's little project.  And I probably need to do something about the crocs.  Tim Gunn calls them "hooves."

The book store, a lovely gently-read shop, had a nice selection of Agatha Christies, so I bought several for reading in the next months.  I am stockpiling good books against the more stationary times to come.

At lunch, would you believe there was another lady with a walker?  Hers was the race track model, quite unlike my more modest one.  But she had such a great attitude about her own mobility that I don't feel so badly for myself, now.  After all, I am out and about, the day is a 12 on a scale of 1 to 10, and there is always the studio for playing.

The Walker and I

I never thought I would use a walker.  Walkers are practically a fashion accessory of elderly women.  Today, however, when I could not stagger through the house and keep my balance even with my cane, I thought I'd give the walker a little whirl.  Just try it out.  See if it was really a wonderful option . . . .

Guess what?  It IS wonderful.  I actually walk in a straight line, now, and maybe a bit faster than the old cane-dependent Nancy.  Best of all, I don't list to one side like a ship taking on water, so I feel better.

Oh, well.  I guess my newest fashion accessory is Charles' walker.  Maybe I could crochet a little scarf for it, or knit booties . . .

B as in . . .

Ball.  The most basic of shapes, a circle, becomes a 3-D sphere, and from that, a child's plaything. As Morris entreated us to have only beautiful and useful things in our homes, no rubber balls for me! I have been working on these fiber balls in odd moments-- winding yarn for the centers, or using roving and felting them, or bundling up scraps of thread and fiber and shaping them into rough balls.  No limits here! I even crocheted over one of wrapped yarn in Bethany's favorite color, purple/magenta, and while she sorted buttons on the studio floor one day, I added beads (pink and purple) in a loopy ring around it. She loves anything that is pink or purple, making the color of prime importance, while the object itself is quite secondary.

Making the balls keeps my hands busy when I'm doing something mindless, like watching "Lark Rise to Candleford," or one of the Agatha Christie Mysteries. Even wrapping with fabric strips can be part of the TV experience because tearing the strips is not exactly brain surgery. And Bethy has discovered the empowerment of ripping a piece of fabric into strips. She makes it into a rich, tough-girl action that I watch without laughing, a hard thing to pull off sometimes because she makes little noises that might be the groans of athletes in training!

Right now the balls are gathered in an oversized yellow-ware bowl in the studio, but they are destined for my grandmothers' wooden biscuit bowl on a table in the house. Do you remember days when a kitchen cabinet had a shelf for a large, oval, flattish wooden bowl that had a little flour sprinkled over the inside and a sifter sitting in it? It would be taken out every morning and on Sunday afternoons and more flour added from a canister, with buttermilk, baking soda and baking powder and that inevitable daub of lard. . . . homemade biscuits, the central feature in the Southern heart-attack breakfast and Sunday Afternoon Dinner!

It is as if I have a wonderful collection in progress that I can add to forever. Think of all the different ways there must be to make interesting surfaces for spheres! Scraps of fabric sewn on in patchwork fashion, odd threads wadded and tacked in place, beaded patterns, and . . .

Birds is another B-category word.  Red Birds.  Or blue-green many-feathered birds.  Birds concerned with their breakfast, or maybe high-fliers practicing the morning aria, heady with the feel of wind and sun ruffling their feathers as they swoop through a summer day.  They queue up for breakfast at the feeder, or wait with some impatience on the edge of the petunia pot for their turn at the bird bath.  In the morning, they are quite vocal in their disdain for waiting, and occasionally one will try to hurry a bather.  When the bathing bird is large, like the oriels or the thrushes, a flap of the wing sends the wren back to his place on the side lines.  Such audacity-- like little Romans in their bath!

And boats.  Especially sail boats.  Van Gogh’s paintings of the sea and of boats is particularly interesting to me because of the texture in his work.  This little boat sails on an ocean of layered buttonhole stitches.  Seed stitches create the sky, and a flood in the Smyrna studio many years ago leached the color from the seed stitches to give some additional color to the sky (such is the fate of many a basement studio!).

And there are bees and bugs and bikes and blueberries . . . . a rather pleasant letter to start the day!

Date Is Set

Hip Surgery is scheduled for October 25, Monday. I discovered, today, that surgery has a lot of strings attached, that I will see my doctor for a physical, anesthesiologists, and cardiac people. . . At the appointment this morning, Charles asked questions and my eyes began to glaze over. TMI!!! I wanted to shout. Don't tell me anything more! I do not want to be a well-informed patient. That would give me all the information I needed to lie awake nights between now and October 25th and worry. And worry.

The house closing in Knoxville yesterday went quickly. It was a cordial sale.

Now we are starting on the kitchen. I don't have a drawer that will begin to hold my silverware. And useless base cabinets with narrow doors that don't let you get in there to find anything. Drawers-- is it possible to have too many drawers? I don't think so. It will be nice to see the boxes stacked in the basement and in a corner of the sun room opened up and things put in their proper drawers.

A as in . . .

. . . Alphabet. Alphabets have a history with embroiderers, lovely, perfectly-stitched letters that march across aging linen that is usually even weave, or very close to being evenly woven. Today many embroiderers take great pride in reproducing historic samplers. I am always an appreciative audience of these works, having tried for many years to cross-stitch an alphabet of my own and never able to do this because I belatedly discovered I have a double astigmatism! This minor bit of handicapping condition is probably the reason I clung to free-style embroidery. After a while, I even began to apply this free-style approach to alphabets. Mine were never perfectly-stitched letters that marched demurely across the fabric. Instead, they tumbled and sprawled and generally tugged at their enclosing spaces until they developed their own wills in the matter of the face they would show to the world.

My favorite source of alphabetical inspiration comes from ancient illuminated manuscripts. Images come to mind of cowled monks bent to their work in the cold, high-ceilinged scriptoriums of monastic dwellings. In my imagination they are placing mythical creatures in the over-sized initial letters of Latin words of the sacred texts they are copying. Despite the rigid discipline of monastic life, what humor they must have had to produce such delightful work! The calligraphy of the rest of the page is perfectly formed, but in the development of those ornate letters, discipline was set aside for the sheer joy of drawing and painting from their own fertile imaginations. In these minutely detailed letters executed on vellum, secular and sacred worlds come together quite beautifully.

Several years ago I embroidered an alphabet for my grandchildren. As I see Bethy in the early stages of learning her letters, however, I am not sure my off-beat style is a "good" influence on her. Maybe later on, when both she and her brother can appreciate their rough-and-ready nature, we will be able to laugh over them. True humor comes from knowing the rules well enough to break them with some sophistication.



And lest I be accused of not remembering the basics of A-B-C-ism, I include the unavoidable image of the letter "A:"

Moving Day (again)

How can moving from one place to another take so long, be so arduous? Maybe, because this Event has gone on for two years, now, it seems much more a big hairy monster than it really is. I feel as if I've been in battle with a Large Blob with several heads and more feet and tails than I can count, and when I free myself from teeth in one place, the claws have me in another. Moving is an overwhelming experience when a cane is your constant companion.

Cynthia, Ryan, and Lynn came Friday morning to our rescue and got the last of the furniture on the truck, and shortly after we arrived home, our young yard man and his assistant (Warren and Josh) came to work on the lawn and, instead, emptied the truck. Moving that loom was a job and a half! But, now there is an opportunity to have a loom set up and actually working, since this one is basically together, just need to attach the treadles and a back beam (I'm being overly-simplistic here). There is a minor problem with hanging the harnesses that I need to overcome, and cleaning it will be a full day's work. Poor thing has been neglected all the time we were in the Raccoon Valley area. My family has been alerted to the fact that we're back to scarves and table runners for all Christmases, Birthdays, and charity sales for the next few years. After that, I will have (hopefully) consumed all materials in the huge yarn cabinet and will be free to purchase new weaving yarns or to retire, permanently.

The house, of course, is suffering from the newest wave of boxes and furniture. Life is too unpredictable to rid oneself of those chairs and tables that give comfort, however, so I am committed to living with everything for the next six months or so before I call Good Will for pick-up service.

Next week we will take out the last odds and ends, clean the bathrooms, and on Thursday will leave the house for the last time. I am too tired to think of that as either good or bad at present.

An Embroidered Alphabet

More findings from digging through boxes in the studio! This time I re-discovered an alphabet I embroidered over a period of several years. They are individual tiles, which I used for pinning up titles on my class exhibition boards when I taught at John C. Campbell Folk School. I gradually expanded the alphabet to contain multiples of frequently used letters, especially the vowels. I think I've misplaced some along the way, so it would be a fun thing to stitch new ones now. Yes. In my spare time. Hmmm . . .

Actually, they're just fun. Period. No more need be said!

Round Robin 2010: My Doll

The Freestyle Group chose to make and embellish dolls as a Round Robin project this year. Seven members participated of the Fifteen. We were each free to develop our own pattern for our doll, or to use a pattern. I wanted more surface than what a body would present, so I made my doll blank shaped like a doll in a long skirt. She went out as a plain form of painted and lined linen, and this is the finished doll who returned to me.



She looks like a doll on a mission-- and her protest sign tells all: "Help Free The Stitches!"

Thanks to all who participated: Carol, Peggy, Sandra, Cynthia, Karen, and Anne. She is truly a doll after my own heart!

The Summer Garden

This little garden "grid" is an idea stemming from my observations of a lovely patio, obviously quite old, made with differently-shaped tiles, covered with moss, fallen leaves, and little plants growing between the cracked paving holding all together. Old homes have the most interesting garden features, I believe.



I am starting to plan my own extended patio, which we will probably put in sometime after the weather cools a bit (does it seem like it has been summer for an awfully long time?). Looking at different paving stone is quite interesting! And thinking about the two separate parts of this patio to be put in gives great scope to the imagination. One will be a mostly shaded patio, the other a mostly sunny one. As the tiles weather, they will gain very individual character, much like the fifteen little tiles I have embroidered. This is a detail of one of the tiles in the grid, lines of long straight stitch couched down with small straight stitches, one of my favorite ways to add texture to an area:



Along with thinking of the coming autumn, I am still capturing the flowers of the summer in my sketchbooks. These two drawings are from a sketchbook I made ten years ago and just "rediscovered." It was part of a small box of books I made for a gallery ten years ago and when I left, I packed them away and promptly forgot about them until I was rummaging amongst the boxes this past week. There are even covers I made without sewing pages in them-- a good project for later in the year.



The paper is handmade (my own), and the cover is raw-edged fabric layers stitched with heavy hand made paper as its core. The flowers are half-filled with fabric glued in to the leave and petal shapes, which is how I feel about the flowers at this time of the year-- half with us, half memory. I am trying to work out an interesting way to make a fiber work of this half-and-half concept, but the textures of paper and the fabric scraps with the delicate pen and ink lines seem to resist stitching.

As hard as it is for me to believe, there are some things in life that simply don't read well as embroideries. Ow! I can't believe I just wrote that!

Sensitive Issues #1: Age

I think I've known this would happen one day, that I may have just been waiting for the shoe to drop. When it did, I was not prepared for how sensitive I could be on the subject of age.

The physician who does the epidural injections that have made life bearable of late is a young man, not even the age of my son, and his assistant is a young, very pretty RN. They are both very pleasant, chatty people, and while I am lying on the table in the surgery they are polite enough to include me in their conversation. I think the continual patter is a sort of diversion, so that the patient doesn't over-anticipate the moment the needle and nerve meet.

On this past visit, the doctor happened to glance at my file and see my address. "Do you REALLY live on Penny Lane?" he asked, and when I said I did, he sang the opening bars of the Beatles tune by that name. I laughed and said that yes, we lived there alongside the barber and his customers . . . I went on to say that this had always been one of my favorite Beatles songs and that I liked it much better than some other of the music of that time. When he asked if I also liked Elvis, I answered that I did, but he had become a star much earlier than the Beatles. In fact, I was in elementary school when he began recording his biggest hits. The Beatles did not come to this country until the next decade, in the 60s. There was a moment of stunned silence before he asked, "You lived THEN?"

I was really, really happy that I was lying on my stomach with my face half-buried in a pillow, because I could feel the red spreading up my neck and across my face. "Yes," I hesitantly said.

You would have thought Indiana Jones had just made a new archaeological discovery. He was so excited! Then I remembered that I was trusting my spine to this young man with sharp needles and steroids, so I thought I should just answer his questions and speak very slowly and distinctly, let him get on with his work.

I told him about seeing Elvis on the Ed Sullivan Show that famous evening. We were all crowded around our little TV in the den, and we never saw his hips, although we could hear the screaming from the audience and suspected that something was up. He asked about things like Woodstock, drugs, protest movements--things that were not at all a part of my rather sheltered life at that time. I had to explain to him that my mother would have sliced and diced me if she thought I had the least hippie leanings. He was a little surprised that not every teenager one was a hippie. Of course, history isn't interested in the plain, every-day folks, but in the flamboyant ones who give spice to an Era. How true-to-life was "Mad Men?" And on and on.

I have another appointment with him at the end of this month. I wonder if I should dye my hair, have a face lift . . . Imagine what it must be like for him to have such an object of antiquity for a patient!

A Small Tiara Of Wool Felt And Sparklies!

This tiara is a miniature, made from a scrap of felt-- I originally cut some wedge-shaped pieces from the strip of pink random-dyed felt and used those wedges on an edging. What was left, when turned upside-down, was a perfect little crown. Cynthia found it in the studio when she and her mom were here, and I left it where she had set it on a table, pinned at the ends into the rounded shape.

Bethy saw it and asked to have it sitting by her when she was coloring last week, and then I began to study the little piece for possibilities. The more I thought about it, the more interesting it became. Sandra brought a bag of embellishments with her-- small sequins in bright colors and shapes, some glass beads, things I don't normally use. And the bright goodies and the textured felt suddenly seemed to be perfectly suited to one another.

The felt is lined with a brightly printed piece of cotton, and the whole is edged on the machine. I had to be very careful not to chew up the ends of the points and lose them in the feed dogs, so every point had to be started at the base of the crown and worked upward! Then I added the beading, and voile! The little tiara is now a decorated addition to Bethy's drawing table! I will bring it with me to the next Freestyle meeting and share it with my friends in Knoxville. I need to think of a way to attach it to Bethy's head, as I am quite sure this little 2" tall head piece will not sit on the table beside her for very long before I hear little footsteps and see her coming toward me with it cradled in her hands . . .

And this butterfly was quite happily having lunch amid the verbena when I passed, and s/he so graciously posed for me.

Pastel Grid

After working on the Autumn piece and reveling in the freedom of so many different stitches, I was ready to work on something softer, more controlled. I began to sort through my linen strips for inspiration. There is an article in a recent issue of Quilting Arts Magazine about a quilt block made of woven fabric strips, and I had that in mind as I sorted. Instead of soft cotton, though, I prefer to stitch on linen, and I save scraps of this wonderfully versatile fabric in all sizes and shapes. These soft colors came from dyeing and/or painting the linen. Two of the strips started life as trousers, and another is a remnant from a linen shift I made many moons ago. And except for the two cotton prints and the natural silk weaving in the upper left corner, all the little linen bits came from small boxes I use to store (hoard?) the bits and pieces that I cannot bear to part with. The shapes themselves are interesting starting points for thinking of design, and I rummage in these small boxes quite frequently for ideas.

After I got the strips woven and the pieces laid in place, I used flower thread and some vintage tatting thread to stitch things down and add more texture. It is a pleasure to look at this grid (about eight inches square, I believe) and see old clothes and painting projects there. Though it is "green" embroidery, it is only by accident. The pieces are from years of loving even the smallest scrap of linen fabric and saving it for another project!

Autumn On The Horizon

After each rain or thunderstorm I find yellow leaves lying in the flower beds and on the lawn. This has been going on for almost a month, now, and I suppose it means we will not have a lot of color when the real Autumn arrives, that the dry Summer is a harbinger of a brown Autumn.

With this in mind, I began to think about the idea that leaves might be "fingerprinted," that they might leave some trace of themselves on the places they have touched (I know, a little off the wall again). The texture and shape of the whorls of a fingerprint are interesting, so I started by gathering a bowl of Autumn-colored threads and yarn to create this forensic glimpse into the heart of the Autumn.



Creating the circling patterns was the easy part. But the heart of the pattern? Why, the leaf, of course. And in the heart of the leaf? A tree.



I was not interested in painted fabrics or layers of sophisticated embellishing techniques when I began thinking about the leaf, simply in the stitching of this idea. I always seem to go back to the stitches when I'm fumbling with an idea, and the hours I spent on this were very peaceful ones. I used stitches that left little pockets for holding beads later on, but when it came to the beading, I chose to use French Knots instead. This just didn't seem to be an embroidery in need of beads to complete it!

Tuesday with Bethy

After school, Bethy and I had some play time in the studio. She finds things there so interesting, and she is polite enough to ask before she makes them her own. Here she discovered my little Wool Cottage, still a work in progress:



She is so tired after school, now, that it is hard for her to concentrate on a project. Four years old and carrying a book bag! Scary!

Howard Hodgkin

In reading Jane Brocket's blog (author of The Gentle Art Of Domesticity) today , I saw that she mentioned the artist Howard Hodgkin, whose work is on exhibit in London.  Rather than following links to a specific site,  I googled him and simply sank into in color and texture enough to satisfy even my greedy soul. I don't think I can import photos of his artwork and still stay legal, but I would encourage you, if you like contemporary art in strong brushstrokes to check out Howard Hodgkin.  True eye candy!

Haircut Day

This is the picture that precipitated a great need (on my part) for a hair cut.


Cynthia took the photo when we visited Julie and Jordan last Thursday. We were having quite a tickle session as we played "This Little Piggy Went To Market" with Ethan's bare toes.

With this picture in mind, Charles and I went early Monday morning to the little hair cuttery not far from the house, and as we sat waiting to be called, I saw this darling little boy walking to the door with his mother-- our daughter-in-law, Julie, with Ethan! Today was his haircut day, as well! Unplanned, and a delightful meeting it was.

Ethan loves having his hair cut. Even the buzzing of the trimmer doesn't annoy him. Have you ever seen a 2 1/2 year old run to the chair and climb right on up, delighted to be getting a cut and trim? Julie took this photo of him:


I am never that enthusiastic. To alleviate my anxiety, I let the stylists do whatever they think is best. Having a preference and being disappointed afterwards is simply more angst to manage. After all, it will eventually grow out! At the end of things, Ethan and Grandma were pretty well shorn:


And today, when I stepped out of the shower and didn't have to do anything more than towel-dry my hair, I wondered why I hadn't done this a long, long time ago!

Drawers Around And About

Aren't drawers wonderful? They can help to make life into a semi-organized journey for those afflicted with left-brain-itis, and they have the added bonus of being quite beautiful objects. Some have a Wabi-Sabi flavor. Those are the drawers with character. Others are the most spartan form of utilitarianism. Doesn't matter-- they are all interesting because they hold things for us. Some mystery always lies behind a drawer face. I am one who cleans up periodically, and because I'm not day-to-day neat, I tend to swoop things into the nearest available drawer. Then, when enough things have gone missing, I start the search through the drawers to see what I've stashed away. Sometimes there are huge surprises, not always pleasant-- particularly if I've just yesterday purchased a replacement for some newly-rediscovered item. Other times, there are happy reunions.

Not-so-large boxes of drawers can be moved from room to room and serve different purposes as needs change. The drawers above have been in kitchens, dining rooms, bedrooms, and presently reside in the living room. "Have nothing in your house that you do not know to be useful or believe to be beautiful," as William Morris has advised householders for over a hundred years. I have, fortunately, outlived many wedding gifts of dubious beauty or use, and have enough years on me to have replaced less attractive things with objects that have a comfortable and happy feel to them.

This box of drawers is very old. We found it in Clinton in the corner of a dusty place. It was calling my name before the door shut behind me! The shot shows the original finish and the dove-tail detail. It also has living room space:



This little "box" of drawers fits in my hand and was a purchase at the Piedmont Art Festival when Jordan was small, a treasure that never fails to make me smile. Each little drawer is absolutely perfect!



And passing through the kitchen I have these drawers sitting at the end of the island, on a low book shelf that houses my cook books. They are especially treasured, despite their small size, because I have only six drawers in my kitchen, so narrow they are not even useful for holding silverware! But these pine drawers are in a stepped-front cabinet, so the top ones are the short ones, and the third set, at bottom, are the longer ones:



The drawers in the studio are the real workhorses. My admiration for old things has led to collecting cabinets and drawers that I could use for storage, and the studio is the perfect place for them. My beads are stored in a jeweler's tool case. Opening the drawers is like a trip to a pirate hide-out with privileges in the store room:



And when I need a weaving shuttle or my dremel tool, elastic, miscellaneous tools or stamps, there is the apothecary chest, originally from France (complete with beautifully scripted cards recording prescriptions and patient information from the early 20th century-- all now sent to recycling). The drawers are the size of library card catalogues of yore, but not so sturdily made, since the drawers would not sustain such rough or frequent handled as library drawers. A lovely and utile cabinet of 45 drawers!



There are DMC thread cabinets for sorting threads by colorways, and the crewel and wool/silk yarns are in larger plastic drawers placed under the two side windows of the studio, stacked single drawers of miscellaneous embroidery gear, a tall, thin set of drawers that came out of an old hardware store-- the boxes are made of wooden cigar boxes, with wooden fronts attached! And tucked into little spots on the back wall of bookcases, small drawers prop up leaning lines of fiber-related books.

But the point of all these boxes and drawers is this: they keep things in place for me. I don't have to scramble through large, messy cardboard packing boxes to look for things. So much of what I do is small-scale, requiring things that would simply slip through the cracks of day-to-day living. And all these boxes are a wonderful way of keeping me "straight," neat (a loose use of the word) and organized (also a stretch of the meaning of the word). Most are old friends. In addition, they are a pleasant sight when I am working. Where would I be without all my boxes? Perhaps up the proverbial creek without the appropriate paddle . . . ?