This project was originally meant to be a line and shape study, not really to draw in color elements, but the pull of color is very strong, even when working in palm size. Last month, in anticipation of this project, I made a book to corral these ideas in one place rather than falling back on my usual practice of stuffing things into plastic bags and relying on the Good Fairy Of The Studio to retrieve them for me. Rather than pages of paper however, it is a book of pockets made with Lutradur. I've found that Pellon medium-weight interfacings also make good pockets.
This colorful character uses hand and machine stitch. I like the precision of machine stitches in combination with the looser hand stitch. Additionally, there is something so mysterious about vintage fabrics captured under a translucent fabric, something that calls up old times and faces. Here we can almost see a vehicle for transport to those times, one with many windows, many doors . . .
Because I am drawn to neutrals with textural interest, these two appeal to me for their simplicity and single, uncomplicated imagery: