Of course, this wheel would have to be an art-yarn-specific because the chunky, lumpy results of all this enthusiasm need to be accommodated by an especially large orifice. After reading about different wheels, talking to spinners and watching videos of the process on different wheels, I settled on the Ashford Country Spinner 2 wheel.
The large, flat box of parts arrived, and Ethan was at least as excited as I. As it was unfinished, he and I first set about rubbing Tung Oil over the lovely wood pieces. We had practiced learning the names of the parts of the wheel, and he handled the pieces with great reverence, reminding me of the names of the pieces as we worked. When it came time to assemble these parts, I started Saturday morning, and Ethan and his dad came after lunch to help with the difficult part-- getting the drive shaft through the hub of the wheel and hanging it in place. Ethan screwed the treadle hinges in place, and stood back to admire his work.
Saturday evening and Sunday I spent trying out different techniques, realizing immediately that plying and drafting are the two things I most need to learn for making sturdy, interesting yarn. I've read book after book, watched hours of You Tube demonstrations, but when I sit at the wheel, it all comes down to manual dexterity and control. My first yarn was an exercise in knowing what I didn't know, but after I'd soaked it in hot water to set the twist and the wool slightly felted, the ideas for using this yarn started popping up. I'll post pictures of the yarn along the way and you can laugh with me at the results.
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